Learning to drive a car takes time but it mainly revolves around controlling the machinery. That’s because we all grew up with traffic systems and although we may intentionally or unintentionally break the rules of the road at times, they come as no surprise to us. If we came from a planet from another Universe, things may be different. It might need explaining why having a head-on collision with an oncoming truck whilst attempting to turn across it path is a bad thing. It might come as a surprise that road users and pedestrians on Earth usually have segregated paths.Learning to scuba dive is a little like entering an alien world where some of the important rules that keep you alive may come as a bit of a surprise to you. That’s why it is essential to be properly trained. However, like driving a car, scuba diving becomes as much second nature once you have had enough practice. Diving, you can then enjoy a weightless world just like an astronaut – but it’s not rocket science. You will probably encounter alien life forms – but it’s not rocket science. Elderly? Even if you are old enough to have witnessed man’ first landing on the moon live on television, you can still learn to scuba dive. You don’t need to be supremely fit – and it’s not rocket science. Young? You may be young enough to anticipate working in a space station but if you are sensible and older than ten you can still learn to dive. It’s not rocket science. Scuba instructors get paid very little. They often do it for love of the sport. It can also keep an ego inflated so beware of those that dress up what they teach to appear more complicated than it really is. Although it is wise to do a proper core course with an internationally recognized agency, you can pay for a structured course on most sub-branches of scuba diving technique too but often a little kindly advice or some minimal supervision is all that is needed provided you put in the practice. It’s the same with underwater photography. There are aspects that might not have occurred to you. Taking pictures through water is very different to taking pictures in air because the light acts differently. Firstly, the light is selectively filtered. The deeper you go the fewer rays of red or green light penetrate from the surface. The effect is to make everything look bluer. You will need to learn how to white balance your pictures either when you shoot them or afterwards. In some cases filters that reduce the amount of blue light reaching the camera’s sensor can be the answer. This daylight is naturally always from the top and often lacks contrast. A solution to getting a more interesting lighting is to combine your pictures with light from a flashgun or powerful video light. A little practise with flash and camera settings will allow you to learn how to balance this foreground flash lighting with natural blue lighting behind. You’ll soon work out a combination of settings, which allow you to follow a successful personal formula. The second obstacle to good pictures underwater comes from the fact that natural water is full of tiny life forms. It’s a planktonic soup of tiny animals. That’s why we are often heard climbing out after diving, extolling the virtues of the visibility that might be at 30m horizontally. We call it “Gin clear”. If we had the same degree of visibility whilst driving, we’d call that a fog! The secret to sharp clear pictures is to get close to your subject and then get closer still. This means we are either reduced to taking extreme close-ups of the minutia of life found in the oceans or we need to use extra wide-angle lenses to get all of a larger subject included in the camera’s vision when we are close. It’s not rocket science. Experienced terrestrial photographers who take up diving often wish to apply the photography techniques they are familiar with. They are not used to crowding their subjects and often want to use longer focal-length lenses. However, standing off and zooming in merely magnifies the loss of contrast and sharpness effected by the plankton and detritus dissolved in the water. You would end up seeing through too much water with the consequent loss of quality. Other misconceptions often vocalized by would-be underwater photographers when they first investigate underwater photography is that they will be able to use slow shutter speeds because everything moves very slowly under water. This is far from the truth and thanks to swells and currents the photographer is often moving quickly too. You need to be able to handle you camera smoothly and use a fast shutter-speed for most subjects. The rules are the same whether you are recording live action with a GoPro or taking still photographs with an incredibly expensive top-of-the range DSLR. We are here at Ocean Leisure Cameras to ensure you go away with the kit most suitable for your needs. It’s not rocket science!
It’s Not Rocket Science!
This entry was posted on 30th June 2015.